Recencies Series: Research and Recovery in Twentieth-Century American Poetics

In Modernist Poetry and the Limitations of Materialist Theory, Charles Altieri skillfully dissects the benefits and limitations of Materialist theory for works of art.

Expanding Authorship collects Peter Middleton’s significant essays exploring how the agency of the disputed figure of the author has increasingly extended beyond an individual, narratable self.

The essays in this collection examine the breadth of Eigner’s interests and influence, considering issues pertaining to ecopoetics, race and ethnicity, disability, technology, media, soundscapes, phenomenology, and popular culture.

The letters collected in this volume are greatly enhanced by Eileen Myles’s preface and Stewart’s thorough introduction, notes, and brief bios of the poets, writers, artists, and editors with whom Wieners corresponded.

Conceived in 1976 and published in 1980, LEGEND exemplifies the political and linguistic commitments of then-nascent Language writing.

Bruce Andrews and Charles Bernstein’s L=A=N=G=U=A=G=E: The Complete Facsimile makes available in print all twelve of the newsletter’s original issues along with three supplementary issues.

Circling the Canon, Volume II focuses on the second half of Marjorie Perloff's prolific career, showcasing reviews from 1995 through her 2017 reconsiderations of Jonathan Culler’s theory of the lyric and William Empson’s classic Seven Types of Ambiguity.

Circling the Canon, Volume I covers roughly the first half of Perloff’s career, beginning with her first ever review, on Anthony Hecht’s The Hard Hours.

The essays in Inciting Poetics provide provocative answers to the book’s opening question, “What are poetics now?”

Written between 1970 and 1978, these letters detail the development of the concepts and styles that came to define one of the most influential movements in post-1960s writing.