Within the ambiguity of this fertile paradox, the art of Edward Knippers—which can initially shock and disturb—opens up into something rich and rewarding.
In this retrospective of paintings dating from the early 1980s to the present Hook guides the reader on a journey that includes the back roads of northern New Mexico, the high country of the Colorado Rockies and Sangre de Cristos, California’s Pacific coastline and central valley, the reaches of the Sonoran Desert, and historic vistas in England and Italy.
PaintingtheDivine explores New World images of the Virgin Mary that portray some of the events in her life, as well as examples of apparitions unique to various locales in the Americas.
By Elizabeth L. DelaneyPaula Kornye TillmanJames EidsonMary Walker Clark
$30.00
Paperback
978-1-934491-41-6
April 2014
$30.00 Paperback 978-1-934491-41-6 April 2014
A veteran landscape painter and self-described artist-naturalist, Paris translates how Lennox Woods looks and how it feels, re-creating its live, three-dimensional environment on the two-dimensional picture plane.
By Elizabeth Cook-RomeroSarah McCartyEric ThomsonMonty Phister
$65.00
Hardcover
978-1-934491-40-9
November 2013
$65.00 Hardcover 978-1-934491-40-9 November 2013
Collected here are the most striking paintings from Melinda Miles' signature collections: portraiture, a series of interiors, a major body of still life that she was best known for, and a late series of train imagery that became a summation of her life’s work.
By Susan Hallsten McGarryJean SternTerry Lawson Dunn
$85.00
Hardcover
978-1-934491-39-3
June 2013
$85.00 Hardcover 978-1-934491-39-3 June 2013
In Art of the National Parks, seventy painters and sculptors offer distinctive visions of eight of the nation’s most beloved wild lands: Acadia, Everglades, Grand Canyon, Grand Tetons, Rocky Mountain, Yellowstone, Yosemite, and Zion.
Dark Light is the first book on the ceramics of the great Navajo ceramist Christine Nofchissey McHorse and features her award-winning sculptural black series begun in 1998.
With uncanny skill, Mary Mito brings the world into focus—ripples on the water’s surface, a stick’s shadow, a scattering of sand. She convincingly renders sights that never call out to us, that we assume to be beneath our notice, like barren fields or animal tracks.
Karl Koenig has been photographing Holocaust concentration camps for more than ten years. These photographs of the architecture and landscape of suffering, he believes, "œmay have some impact on people who are on the path to indifference."
