Titles by Publisher

In Modernist Poetry and the Limitations of Materialist Theory, Charles Altieri skillfully dissects the benefits and limitations of Materialist theory for works of art.

Expanding Authorship collects Peter Middleton’s significant essays exploring how the agency of the disputed figure of the author has increasingly extended beyond an individual, narratable self.

This unique collection of multidisciplinary essays explores recent developments in Paraguay over the course of the last thirty years since General Alfred Stroessner fell from power in 1989.

Baca’s music grew out of the harsh life of the borderland, and the duality of borderland music—its keening beauty—remains a recurring theme in everything he does.

The Art and Humor of John Trever: Fifty Years of Political Cartooning features the best, funniest, and most significant cartoons of Trever’s career—showcasing his unique style, method, and voice—that captivated readers in New Mexico as well as readers throughout the United States through syndication.

Circling the Canon, Volume II focuses on the second half of Marjorie Perloff's prolific career, showcasing reviews from 1995 through her 2017 reconsiderations of Jonathan Culler’s theory of the lyric and William Empson’s classic Seven Types of Ambiguity.

Circling the Canon, Volume I covers roughly the first half of Perloff’s career, beginning with her first ever review, on Anthony Hecht’s The Hard Hours.

In this collection of what the author calls Easy Essays, Chatfield recounts his childhood, explains the social issues that have played a significant role in his life and work, and uncovers the lack of justice he saw all too frequently.

This book analyzes Spanish rule and Catholic practice from the consolidation of Spanish control in the Americas in the sixteenth century to the loss of these colonies in the nineteenth century by following the life and afterlife of an accidental martyr, San Felipe de Jésus.

Drawing on over fifty years of research and data collected by field-school students, Hawkins argues that two factors—cultural collapse and systematic social and economic exclusion—explain the recent religious transformation of Maya Guatemala and the style and emotional intensity through which that transformation is expressed.