Edited by poet and scholar Ryan Dobran, this volume of correspondence between the American poet Charles Olson (1910–1970) and the English poet J. H. Prynne (b. 1936) sheds light on a little-known but incredibly influential aspect of twentieth-century transatlantic literary culture.
Using an interdisciplinary approach that combines philosophy, history, psychology, literature, and social justice theory, this study delineates the synergistic connection between masquerade and social justice in Latin American fiction.
Chicano/a Readers and Readerships across the Centuries
Edited by Manuel M. Martín-Rodríguez
$34.95 Paperback 978-0-8263-5829-5 January 2017
In this collection, Manuel M. Martín-Rodríguez gathers diverse and passionate accounts of reading drawn from several research projects aimed at documenting Chicana and Chicano reading practices and experiences.
While focusing primarily on Williams’s experimental works, including the novellas, this innovative study charts how significant features in Williams’s poetry result from specific imaginative practices.
This original contribution to hemispheric American literary studies comprises readings of three important novels from Mexico, Canada, and the United States: Carlos Fuentes’s Terra Nostra, Quebecois writer Jacques Poulin’s Volkswagen Blues, and Native American writer Leslie Marmon Silko’s Almanac of the Dead.
The essays collected in this book, addressing both the original edition of Storyteller and the 2012 revision, use the growth in understanding of Native American literature in general and of Silko’s work in particular to unpack this fascinating work and its critical reception over the years.
A Bloody and Barbarous God investigates the relationship between gnosticism and the perennial philosophy and how these traditions have influenced the later novels of Cormac McCarthy, namely, Blood Meridian, All the Pretty Horses, The Crossing, Cities of the Plain, No Country for Old Men, and The Road.