A collection of John P. Meadows's interviews originally given to refute inaccuracies in the 1930 movie Billy the Kid. Also includes Meadows's memories of the Southwest's frontier days and the characters he knew.
Examining the career of a largely unstudied eighteenth-century engraver, this book establishes Jerónimo Antonio Gil, a man immersed within the complicated culture and politics of the Spanish empire, as a major figure in the history of both Spanish and Mexican art.
Using a wide array of new archival sources, Alexander demonstrates that the transformative political decisions made by civilian government officials, after the 1946 election, represented both their collective values as a generation and their effort to adapt those values to the realities of the Cold War.
What is the evolving relationship between words and images in the photographic essay? Klingensmith explores this and other questions in In Appropriate Distance as she traces the development of the photographic essay from the 1890s to the 1990s and beyond.