Latin America

Following the Spanish conquest of Mexico in the early 1500s, Franciscan, Dominican, and Augustinian friars fanned out across the central and southern areas of the country, founding hundreds of mission churches and monasteries to evangelize the Native population. This book documents more than 120 of these remarkable sixteenth-century sites in duotone black-and-white photographs.

This book reveals how boxing and boxers became sources of national pride and sparked debates on what it meant to be Mexican, masculine, and modern.

Focusing on central Mexico and the Andes (colonial New Spain and Peru), the contributors deepen scholarly knowledge of colonial history and literature, emphasizing the different ways people became and lived their lives as “indios” in this new study.

This book highlights the voices and stories of Latin American women directors from Brazil, Chile, Argentina, and Mexico.

The contributors use fresh archival research from Spain, Portugal, Brazil, Bolivia, Mexico, and the Philippines to examine the lives of slaves and farmworkers as well as self-serving magistrates, bishops, and traders in contraband.

Using an interdisciplinary approach that combines philosophy, history, psychology, literature, and social justice theory, this study delineates the synergistic connection between masquerade and social justice in Latin American fiction.

This innovative social and cultural history explores the daily lives of the lowest echelons in president Porfirio Díaz’s army through the decades leading up to the 1910 Revolution.

The abundant insect life of the rainforests of northeastern Costa Rica is the subject of this engaging book, first published over twenty-five years ago and now including two new chapters on the rise of ecotourism in the region.

This edition of Luis Jerónimo de Oré’s work presents readers with a new introduction and an annotated translation that place the text in the broader context of international politics.

Examining the career of a largely unstudied eighteenth-century engraver, this book establishes Jerónimo Antonio Gil, a man immersed within the complicated culture and politics of the Spanish empire, as a major figure in the history of both Spanish and Mexican art.